A Bride’s Story is my favorite manga. I’m no expert on manga, but even if I read three volumes of Naruto a day, I’d probably still think A Bride’s Story was the best manga ever made. It’s beautiful. It’s sumptuous. It’s intimate. It’s–everything.
In this review series, I’ve been reading all of Tamora Pierce’s Tortall books. In this post I’ll be going over Emperor Mage, the third book in the Immortals quartet.
This book is definitely my favorite out of this quartet–the lush setting, the complex intrigue that doesn’t bog down plot progression, and the wide range of animals make this an exemplary book, showing off the best of Daine and her companions. Emperor Mage takes Daine out of her comfort zone to the barren, troubled shores of Carthak. I promised in a previous post to talk about Carthak’s relationship to Egypt and whiteness in nobility, so let’s start with that.
Leading up to a new Tortall book coming out, I’m reading all of Tamora Pierce’s Tortall books and Tortall ephemera. In this post I’ll be reviewing the short stories “Elder Brother” and “The Hidden Girl.”
At the end of Wolf Speaker, Numair turns a man into a tree with a word of power. He mentions in that book that, as a result, somewhere else in the world a tree has become a man. “Elder Brother” is the story of that tree.
I saw Blade Runner 2049 last night. It was beautiful; it was moving; it was such an inspiring second act to the first one that I feel compelled to re-examine my feelings for that particular film. Neither Blade Runner film feels compelled to make all of its themes explicit, but the thing I found myself thinking the most about after I left the theater was the nature of our stories, how they create our identity, and our ability to retain ownership of those stories.
(There are spoilers for the film beyond this point.)
I’m reading the 19 Tortall books, as well as Tortall ephemera, before the 20th Tortall novel comes out this February. In this post I’ll be reviewing the second Immortals quartet book, Wolf Speaker.
In reading Alanna’s books, a lot of what I focused on was how Tamora Pierce’s writing and Alanna’s arc grew and matured over the course of the books. This book doesn’t fit that structure.
The Brian Azzarello and Cliff Chiang run of Wonder Woman was extremely excellent; I started pulling issues with my local shop towards the climax, and it did not disappoint. It was sad when the writing and art went to Meredith and David Finch, simply because the old run was over, but I figured I could give it a shot. I ended up putting their first issue down and writing them off within a couple of pages, and I’ll tell you why: it was the shower scene.
I felt…weirdly stuck, last week. I’d watched the first two episodes of Star Trek: Discovery, but I didn’t feel I had anything to say about them. Overall, I felt like what I’d watched wasn’t really the show, which turned out to be accurate. Now that “Context is for Kings” has aired, I have a few more thoughts, the first of which is: why did we get that two-episode prologue?
SPOILERS AFTER THE JUMP!
In this review series, I’m rereading all of Tamora Pierce’s books set in the Tortall universe in preparation for Tempests and Slaughter, the 20th Tortall book. In this post I’ll be reviewing Wild Magic the first book in the Immortals quartet.
In the lead-up to Tamora Pierce’s 20th Tortall book, Tempests and Slaughter, I’m rereading everything to do with Tortall. This post is about the short story “Student of Ostriches.”
I Kickstarted Fresh Romance Volume 1 way back when it was under the auspices of Rosy Press. Now that the Fresh Romance IP has moved to Emet Comics, one might worry that its fun, romantic, diverse commitment might…change, or waver. Have no fear! Fresh Romance Volume 2 just shipped to Kickstarter backers in the bound volume, and came available to preorder to everyone else. It’s just as lovely as the first.